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Virtual Live performing - what can go wrong? What are the ways to prepare the troubleshooting so even the most complex live multicast will go smooth and stress-free? Live Internet Broadcast FAQ Can something go wrong during my performance? Yes. Something can go wrong. Live Virtual Stage and live Virtual Concert Hall are relatively new inventions of humanity, and Internet TV hadn’t been around the block for much more than a decade. The tech connections/integrations are complex, consist of many elements which must be made to work together in sync in real time. VCHS’ production crews consist of very experienced people who directed over 600 live broadcasts with 1,000s of participants. They’ve been called “Harry Potters of live music on a virtual stage”. You will be served by some on the best professionals in the industry. But still - things CAN go wrong during your performance! What can go wrong? What to expect if something does go wrong? What? During your tech check our producers may find that your tech is not able to perform adequately or reliably Solutions? We will offer you to reschedule for the next available date/session. We will give you instructions what you need to do to be prepared. What? Tech can fail while you are waiting for your turn in the Green Room, or while you are in the Competition Backstage, or even just before your turn. Solutions? We will walk you through the steps you need. Keep a close watch of the internal chat in the Broadcast Studio and follow producers’ instructions. You will not miss performing in your session! We will change the order of performances and you will perform later in the same session What? After our producers fine tune your tech settings and complete your audio/video tech checks you will transition to the Competition Backstage. Your tech can automatically revert to default settings during the transition Solutions? Take careful notes during your tech check, double-check to make sure your settings are the same, before entering Competition Backstage. “I did everything right and according to your producer’s recommendations. Can something still go wrong during my performance??” Unlikely, but something still can go wrong. As mentioned above: live virtual performance relies on young and cutting edge technology, and requires for many complex puzzle pieces to perform in sync AND in real time. It is a journey which may not be best suitable for you if you are prone to stage fright, or expect to feel traumatized if you need to deal with a sudden change of how things unfold. Please be mindful of your own feelings and do not take unnecessary risks. Virtual stage will keep developing and eventually will become as reliable as electricity in a physical concert hall. One can always just wait a bit longer for the tech to reach that stage of perfection! We now take our beautifully illuminated concert venues for granted, don’t we? But 10-20 years after Edison’s invention they didn’t look nearly as glorious as today. Your evening concerts were illuminated by a jumble of wires with weird looking glasses hanging from them, giving out flickering yellowish light, and sometimes turning off altogether “What will will your tech team do if something happens while I perform??” We will not let your performance look or sound in subpar quality, get “frozen”, get “muted”, etc. Instead we will: Interrupt your performance Take you off the stage Give you access link to our Troubleshoot Tech Room Our producers will work with you on solving the problems If we can solve the issues within reasonable time - we will bring you back onstage and you will have another opportunity to perform your program within the same session If the issues persist and we can’t resolve them right there and then - we will reschedule your performance for the next available date/session. "I have great and fast WiFi connection, a new generation IPad, and I’ve done 2 years of studying/teaching online. No worries, I am well prepared for your stream, there’s nothing that can go wrong from my side." Unfortunately things can still wrong: IPads are not suitable for Internet TV broadcasting, the technology of an iPad does not support connecting to a Broadcast Studio and streaming live music. Please be prepared to use a laptop or desktop. WiFi connection, although often workable, may become unreliable and not sustain the stream throughout the duration of your performance, no matter how fast. Ethernet cable connection is highly recommended as it provides stability of your signal. Both, the speed and stability are essential for quality broadcasting of a live music performance. However, WiFi connection may work fine. Just please be prepared that the transmission made through WiFi connection may lack consistency when compared with the transmission by people who are able to connect to a grounded Router using Ethernet Cable. Ok, I got the Ethernet cable, now we are all set, right? Almost. Please make sure that your cable is connected to the grounded Router. Please refer to our recommendation deck on how to identify that you are really connecting to the correct type of Router. If you are connecting to a Wi-Fi-based Router, or to a Wi-Fi-based Booster, or another Internet device which is not connected to your provider via a grounded cable – you are not improving the connection by using Ethernet cable. The logic is simple: Ethernet cable is used with a purpose to eliminate wireless Internet connection at any point in the chain.

Audience voice matters! Vote for your favorite Finalist - the musician who receive most votes will receive the James Adler Audience Favorite Award, a Certificate and $200. Make your voice count! James Adler Audience Favorite Award For Pianists and Composers $300 cash Award J&S Silver Award ($100) Vote for your Favorite Laureate! Voting closes December 15, 2025 at midnight EST I want to VOTE! Vote I want to VOTE! Voting ends on December 15, 2025 at 11:59pm EST One vote per audience member Vote by choosing a Laureate from the list on the form Duplicate votes will be deleted One winner Winner is determined by the simple majority - the Winner will have received the highest number of audience votes Minimum votes for the cash Prize to be awarded - 100 No purchase necessary to vote, you do not need to create account to vote Audience Favorite Award is co-founded by James Adler Photo: Frank Gimpaya It is very important to have the audience participate in this competition! It engages the listener and encourages our wonderfully talented contestants. I am delighted to co-found the James Adler Audience Favorite Award for the Carnegie Hall Laureate Gala 2023. Sit back, listen, enjoy -- and please vote!

KDF Academy Music in a safe and friendly environment The well being of our students is as important to us as the quality of the music they learn. Practice, Patience and Performance are at the heart of our teaching. Our KDF academy music students will learn the modern methods for reading and playing music and be made aware of their vast heritage as African musicians, blending the past and the future together Kasibo Development Foundation Uganda Learn more KDF Micro-Academies One of the most exciting KDF projects planned for 2022 is creating KDF Micro-Academies in Kachomo. With permission from the Kachomo village leaders students from our academy will create KDF Micro-agriculture-academies and Micro-textile-academies to demonstrate their new skills and technologies. This will be of great benefit to the students and the local communities. Modern textile and agricultural developments are essential in today's world. We will donate each micro-academy to the villagers as our students travel through Kachomo returning with new information as time passes. Planning for the Future The implementation of Further Educational Institutes in ‘Vocational Studies’, include ‘Music’, ‘Agriculture’, 'Textiles' and ‘Sport’ that will work alongside other national and international universities and colleges, are a long term goal for KDF to help it become a beacon of success for the region.

Semifinalists Orientation/Registration Page Sound Espressivo 2021 Semifinalists Chan... Все категории Смотреть Смотреть 10:46 Virtual Concert Halls Grey Small (USA), guitar. Age group 15-18 0:00 - Albéniz - Asturias (Leyenda), from Suite Española, Op. 47 7:02 - Alonso Mudarra - Fantasia Смотреть Смотреть 09:48 Virtual Concert Halls Tong Mu (USA, TX), piano. Age group: 26+ 0:00 - Bach - French Suite No.5 in G Major Смотреть Смотреть 09:19 Virtual Concert Halls Reuven Ben-Zeev, piano. Age group: 19-25 0:00 - Rachmaninoff - Piano Sonata No. 2 in B-flat minor, Op. 36 (I. Allegro Agitato) (1913 version) Смотреть Смотреть 05:59 Virtual Concert Halls Lisa Niemeier, piano. Age group: 26+ 0:00 - Granados - The Maiden and the Nightingale, from Goyescas Смотреть Смотреть 07:05 Virtual Concert Halls Dean Griffin, piano. Age group: 11-14 0:00 - Bach - Invention No. 4 in D minor, BWV 775 1:06 - Sergei Bortkiewicz - The Butterfly, Op. 30, No. 9 3:35 - Debussy - Arabesque No 1 Смотреть Смотреть 07:49 Neal Eisfeldt Lalo Symphonie Espagnole Op.21, Neal Eisfeldt Lalo, Edouard Symphonie espagnole, Op. 21 I. Allegro non troppo Смотреть Смотреть 01:45 Virtual Concert Halls Haily Leung, voice Wallpaper (Cantonese Pop) Composer: Khalil Fong (American Chinese Cantopop singer/writer) Lyrics: Wyman Wong You won't realize from my companionship Staring at your shadows for a lifetime People laugh at me for insisting, I have to insist I like persistence Even though there is only a piece of paper separating us We have to both want it The farthest distance on earth is being together in the same room But not getting seen at all {Chorus} The wallpaper is on the door is me I fill the paper with patterns, yet I am not lying beside you I want to know with all the glamours decor in your home Have you ever admired any of it Actually I want to tell you No one will be with you forever When I fade in the coming years When you want to cherish me, it will be too late to regret I worry that if this wallpaper is torn No one will even notice You who don't feel any loss, will never find the beauty missing {Chorus} The wallpaper is on the door is me I fill the paper with patterns, yet I am not lying beside you I want to know with all the glamours decor in your home Have you ever admired any of it The wallpaper usually aspires to watch the lover pass by Staying in the back and waiting in vain Is there any chance that on one fateful day The wallpaper withers and the lover misses it He actually pained over it Смотреть Смотреть 06:40 Virtual Concert Halls Ria Kang, violin Haydn - Violin Concerto No. 2 in G Major (1st mvt) Смотреть Смотреть 05:37 Virtual Concert Halls Kento Ishikawa, piano Beethoven - 6 Variations on 'Nel cor piu non mi sento', WoO 70 Смотреть Смотреть 03:12 Virtual Concert Halls Emanuele Nasuto (12), voice (Italy): Opera and Lieder. Age Group: 11-14 Faure - Pie Jesu Смотреть Смотреть 10:05 Virtual Concert Halls Iliana Rong, piano Mozart - Concerto No. 19 in F Major, K. 459 (I. Allegro) Смотреть Смотреть 08:06 Krishna Pant Siddharth Pant: Beethoven, Sonata 32 in C minor, Mvt1 Ludwig van Beethoven Sonata #32 in C minor, Op 111 Movement 1 Pianist: Siddharth Pant Смотреть Смотреть 03:55 Gerry Cardone Piervito Cardone - Ave Maria - 12/10/21 Смотреть Смотреть 06:24 Hrishikesh Ram Babadjanian Piano Trio, 3rd Movement Arno Babadjanian: Piano Trio in F# Minor, III. Allegro Vivace Tre Voce Piano Trio: Leena Hocutt Duarte (violin), Tristen Johnson (cello), Hrishikesh Ram (piano) Смотреть Смотреть 10:39 doremei Sonata No 2, Op 36, I Rachmaninoff (1913 Original Version) Смотреть Смотреть 05:30 Asmik Arutyunyants Asmik Arutiuniants - Marfa's Aria Mad Scene from The Tsar's Bride by Rimsky-Korsakov Asmik Arutiuniants - Marfa's Aria, "Ivan Sergeich, khochesh', v sad poydyom" from The Tsar's Bride by Rimsky-Korsakov Смотреть Смотреть 08:26 Colin Chang 2021207 Chopin Nocturne Etude - Competition 2021207 Chopin Nocturne Etude - Competition Смотреть Смотреть 06:22 Rachel Wong Si Yin Elegie (Gabriel Fauré) | Rachel Wong Si Yin | Cello "Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows." James 1:17 Смотреть Смотреть 08:37 Maria Narodytska F. Schubert: Sonata c-moll, part 1 Recorded in June 2021 Смотреть Смотреть 06:08 Maria Yacubovich Amol iz geveyn a mayse, yiddish lullaby. Yacobs Royz Duo (Maria Yacubovich, Alexey Rozov) Дуэт "Роза Якова" (Мария Якубович, Алексей Розов) "Жила-была сказка", еврейская колыбельная, Открытая репетиция в клубе Арт'Эрия 23 мая 2017 года. Однажды, на заре христианства у славянских народов, в Польшу забрел странствующий купец, еврей Абрам Проховник. Приняли его хлебом-солью и упросили стать королем – дескать, было у них знамение свыше, что король явится народу в виде странника. Сутки правил Абрам и остался в истории как «король на день». Наутро он был убит и брошен собакам. Жила-была сказка, Сказка несчастливая, Сказка началась С еврейского короля. Припев: Тише, моя маленькая птичка, Тише, дитя мое, Я потеряла такую любовь, О, горе мне. У короля была королева, У королевы – виноградник, В винограднике –дерево, Тише, дитя мое. У дерева – ветка, На ветке – гнездо. В гнезде жила птичка, Тише, дитя мое. Тише, моя маленькая птичка ... Король умер, Королева удалилась от мира, Ветка сломалась, Гнездо опустело, Птичка улетела. Смотреть Смотреть 07:43 willie lam Jade Chan (20211210) Смотреть Смотреть 02:17 Teresa Laiz Fandango de Don Juan - Castañuelas: Teresa Laiz www.teresalaiz.com DON JUAN (BALLET): “Fandango”, Acto II, nº 19 C. W. Gluck (1714 – 1787) - Partitura de Castañuelas: Teresa Laiz Смотреть Смотреть 11:36 Gabriel Wu Sound Espressivo - Preliminary Round Recording Смотреть Смотреть 02:16 Z C Li _Chi_Ting_T9_PASTORALE Li _Chi_Ting_T9_PASTORALE by Marcel GRANDJANY Смотреть Смотреть 08:55 So-Chung Shinn Derek Lee, Piano Concerto No. 17 in G Major, Allegro, KV 453, by W.A. Mozart Derek Lee, Piano Concerto No. 17 in G Major, Allegro, KV 453, by W.A. Mozart, recorded with pianist Vladimir Rumyantsev at Kaufman Music Center, New York, New York Смотреть Смотреть 07:31 William Yeh Violinist William YEH, violin (11 yrs) | W.A. Mozart | Violin Concerto No.2 in D major, K.211-Allegro moderato William YEH (11 yrs) | W.A. Mozart | Violin Concerto No.2 in D major, K. 211 - 1st Movement - Allegro moderato - Cadenza 1st Prize, 2022 NOMEA International Violin Competition International Online Violin Edition (Junior C Category) https://www.youtube.com/watch?v=2SM6-3EbZKM William YEH, 11 years old on 3/4 violin Pianist: Wen-Chuan Wang Recorded 2021 (The 2022 jury comprised: Alexey Bogorad, Emily Sun, Carles Lama, Mark Messenger, and Luciano Ruotolo). Смотреть Смотреть 02:18 utube4u4me Sound Espressivo Music Competition / preliminary round - Kristian Cvetkovic - Beethoven: 6 Ecossaises WoO 83 in E-Flat Major Смотреть Смотреть 06:19 Virtual Concert Halls Colette Wiering (USA, IL), violin; Age group: 10 and under Accolay - Concerto No. 1 in A minor Смотреть Смотреть 01:41 Gavin Rualo Gavin Rualo Maple Leaf Rag Gavin Rualo plays Maple Leaf Rag Смотреть Смотреть 02:34 Virtual Concert Halls Cady Wing Tung Koo, oboe Ennio Morricone - Gabriel's Oboe from "The Mission" Смотреть Смотреть 10:19 Tongbai Meng Chopin - Ballade No. 1 in G Minor Смотреть Смотреть 08:47 Lydia Chinchilla Lydia Chinchilla, Ballade Op. 288, Carl Reinecke Joel Jamison, piano. Смотреть Смотреть 08:33 hyojin yi Bach. French Suite III, BWV 814 Смотреть Смотреть 13:27 Alexey Rozov Moskver Klezmer Kapelye - close-up Смотреть Смотреть 03:25 sumiyuki nakadai private 20211128_Marcello_fin Смотреть Смотреть 06:47 Анна Шулькевич Tiziano Rosseti Competition, Viktoria Lypa, soloists cat.B Heitor Villa-Lobos — Mazurka-Choro №1 Jorge Morel — Danza in E Minor Смотреть Смотреть Nickita Zinkovsky Sound Espressivo Competition (Nickita Zinkovsky) Смотреть Смотреть 01:49 hanlu du 2021年11月29日 Смотреть Смотреть 12:51 Yuna Lee Kevin Lee, cello Haydn Cello Concerto No. 2 in D Major, Hob. VIIBb/2 1st movement: Allegro Moderato Смотреть Смотреть 08:44 terri ji Barcarolle in F-sharp Major Op. 60 by Chopin Terri Ji Due to COVID-19 restrictions, this performance was streamed from a Zoom recital. Смотреть Смотреть 02:56 Virtual Concert Halls Cady Koo Wing Tung Alan Menken - Just Around The Riverbend, from “Pocahontas” Смотреть Смотреть 12:08 wanchun yang Duo concertante in F major (Joseph Fiala ) Ensemble：Curious Duo(Haonan(Daniel) Yang , Yiqi Chen) AGE：13yrs REPERTOIRE：Duo concertante in F major (Joseph Fiala ) Composer：Joseph Fiala Смотреть Смотреть 01:52 So-Chung Shinn Moritz Moszkowski Etude no. 2 in g minor Moritz Moszkowski Etude no. 2 in g minor Смотреть Смотреть 03:28 Julie B Fereol piano trio - Frank Bridge, Valse Russe Смотреть Смотреть 10:08 akshah753 Carmen Fantasy Ashrey Shah - Clarinet Sarasate - Carmen Fantasy arr. Baldeyrou Смотреть Смотреть 00:52 Matthew Brand Wrong Way Home Composition - Sound Espressivo - Matthew Brand 11/20/21 Смотреть Смотреть 04:44 Justin Lee_Cello Gavotte. No. 2 by David Popper, Cello, Justin Lee Gavotte. Op. 23, No. 2 by David Popper Justin Kijun Lee (Age10) Nov/26/2021 Смотреть Смотреть 08:56 Pat Deng Mozart Piano Sonata in C Major, K545. Смотреть Смотреть 08:54 AnonymousFlute SE Competition HD 720p Смотреть Смотреть 11:36 Gabriel Wu Sound Espressivo - Preliminary Round Recording Показать еще Sound Espressivo Semifinalists Channel (... Все категории Смотреть Смотреть 10:46 Virtual Concert Halls Grey Small (USA), guitar. Age group 15-18 0:00 - Albéniz - Asturias (Leyenda), from Suite Española, Op. 47 7:02 - Alonso Mudarra - Fantasia Смотреть Смотреть 09:48 Virtual Concert Halls Tong Mu (USA, TX), piano. Age group: 26+ 0:00 - Bach - French Suite No.5 in G Major Смотреть Смотреть 09:19 Virtual Concert Halls Reuven Ben-Zeev, piano. Age group: 19-25 0:00 - Rachmaninoff - Piano Sonata No. 2 in B-flat minor, Op. 36 (I. Allegro Agitato) (1913 version) Смотреть Смотреть 05:59 Virtual Concert Halls Lisa Niemeier, piano. Age group: 26+ 0:00 - Granados - The Maiden and the Nightingale, from Goyescas Смотреть Смотреть 07:05 Virtual Concert Halls Dean Griffin, piano. Age group: 11-14 0:00 - Bach - Invention No. 4 in D minor, BWV 775 1:06 - Sergei Bortkiewicz - The Butterfly, Op. 30, No. 9 3:35 - Debussy - Arabesque No 1 Смотреть Смотреть 01:58 Virtual Concert Halls Virginia Bent, voice Reflection, from Disney's “Mulan” Смотреть Смотреть 04:59 Virtual Concert Halls Leyna Ishikawa, piano Mozart - Sonata No.10 in C Major, K.330/300h (I. Allegro moderato) Смотреть Смотреть 03:53 Eric Lacour Sound Espressivo Competition 2021 Preliminary - ZhaoJun Ma Hindemith Sonata for Double Bass - mov. 1 & 2 Смотреть Смотреть 02:46 Virtual Concert Halls Ella Levy, piano Berkovich - Concerto, Op.44 (III. Allegro assai) Смотреть Смотреть 10:09 Virtual Concert Halls Aleksei Rozov, violin Improvisations on Klezmer tunes Смотреть Смотреть 14:22 Virtual Concert Halls Harry Chen, piano Mozart - Piano Concerto No. 5 in D Major, K. 175 0:00 I. Allegro 7:20 II. Andante ma un poco adagio Смотреть Смотреть 03:45 Virtual Concert Halls Hannah Kwok, violin Monti - Czardas Смотреть Смотреть Dmitry Styrkas Prelude in G Minor, Rachmaninoff Смотреть Смотреть 04:44 Justin Lee_Cello Gavotte. No. 2 by David Popper, Cello, Justin Lee Gavotte. Op. 23, No. 2 by David Popper Justin Kijun Lee (Age10) Nov/26/2021 Смотреть Смотреть Oscar Cheng Katrina Cheng - Meditation from Thais by Jules Massenet Katrina Cheng - Meditation from Thais by Jules Massenet Смотреть Смотреть 03:04 Ben Batalla Music Bad Hair Day - Ben Batalla Bad hair days can always be made better with a couple of microphones and a Bösendorfer. Enjoy this improv! Equipment Used: - Two AKG C414 XLII Condenser Microphones - Apollo Twin Pre-Amp - Sony AII Camera Thank you to St. Katharine Siena Catholic Church in Wayne, PA for the space! Смотреть Смотреть 08:32 Silviatessari I. Stravinsky, La semaine grasse. Silvia Tessari, Italy, piano I. Stravinsky, from Trois mouvements de Pétrouchka, III: La semaine grasse Смотреть Смотреть 07:28 Mary Beth Orr Bozza - En Foret For Horn and Piano (Quarantine Edition) Mary Beth Orr Mary Beth Orr - Horn Mary Jo Cox - Piano This is what you do when you can't have concerts or rehearsals. Get together with who you love, and make music however you can. Copyright held by Alphonse leduc Смотреть Смотреть 02:00 Virtual Concert Halls Weng Cheng Tiffany Chum Refection, from "Mulan" Смотреть Смотреть 02:35 Natalie Hahn Charles Mayer, Valse Mélancolique | Natalie Hahn Смотреть Смотреть 03:15 Vineel Mahal Faun-ing: Elaichi (Original Song) For sound espressivo global music competition Смотреть Смотреть 06:47 Sheri Heeb Sonata #3 - Tuur Sheri Heeb Смотреть Смотреть 03:06 Virtual Concert Halls Christina Au Yeung Grieg - The Princess Смотреть Смотреть 04:07 Esteban Alvarez Tico-Tico no fuba (piano) Mi newest version of "Tico-Tico" on piano. This is a Brazilian colorful piece that represents the true essence of this magic South American country. I hope you enjoy it. Please make your comments! Tico-tico no fubá! If you want to receive three days of FREE music from me, subscribe here! 👉🏼 https://eacmusic.lpages.co/roots-of-the-world Смотреть Смотреть 07:35 Virtual Concert Halls Tsz Ching (Charriess) Pun, piano. Age group: 10 and under Liszt - "Liebestraum" S.541, No. 3 in A-flat Major Prokofiev - "Mercutio" from 10 Pieces from the ballet "Romeo and Juliet" Смотреть Смотреть 03:54 Los Corro Pianisters Cat and Mouse (Copland) Hiroshi Corro Смотреть Смотреть 06:37 Zoe Yost Ralph Vaughan Williams: Romance for Viola and Piano Zoe Yost, viola Dr. David Pasbrig, piano Recorded by Dr. David Pasbrig in June 2021 Смотреть Смотреть 03:16 Virtual Concert Halls Akiko Quinn, piano. Age group: 26+ Brahms - Capriccio, Op.76 No.8 Смотреть Смотреть 07:14 HY F Sunlight on mountain Tian Sunlight on mountain Tian Composer: Huang Huwei Pianist: Emin Mamedov flute: Shuheyu Feng Смотреть Смотреть 10:11 Junwen Liang Hungarian Rhapsody No. 12 in c-sharp minor, Liszt Recorded at Penn State Смотреть Смотреть 10:20 王定 sancan sonatine Смотреть Смотреть 04:43 Jamie N. Kim Concerto No.4 in G major Opus 65 by Goltermann 12 years old Смотреть Смотреть 01:52 Shiho_Ayla takeda Étude Op. 10, No. 5, Frédéric Chopin, Ayla (10) Смотреть Смотреть 05:05 Manuel Gomez Vanne and Wohin 2021Manuel Gomez Смотреть Смотреть 07:19 Virtual Concert Halls Ruoyi Qiao, piano. Age group: 10 and under Moszkowski - Étude de virtuosité in A-flat Major, op. 72 No.11 (“Per aspera”) Glinka/Balakirev - The Lark Смотреть Смотреть Sa Liu Taranntella by Franz Liszt - Antian Jiang -Tarantella from Venezia e napoli from the 2nd year by Franz Liszt - Antian Jiang -May 13th Смотреть Смотреть 07:20 Lilla Nóra Szabó Lilla Nóra Szabó, C3. Pyotr Ilyich Tchaikovsky Pezzo capriccioso, Op62. Program: Pyotr Ilyich Tchaikovsky: Pezzo capriccioso, Op62. Cello: Lilla Nóra Szabó Piano: Ágota Lénárt Смотреть Смотреть 05:12 Virtual Concert Halls Sathvik Subramanian, piano. Age group: 11-14 Chopin - Nocturne in F Major, Op.15 No.1 Смотреть Смотреть 06:09 Simona Fruscella Sound Espressivo - 2nd Online Global Music Competition - Maria Simona Fruscella, Italy J. S. Bach - Trio super “Herr Jesu Christ, dich zu uns wend” BWV 655 G. Frescobaldi - Canzon dopo l’Epistola (Messa della Madonna) Смотреть Смотреть 01:29 Los Corro Pianisters Etude OP25-2 Смотреть Смотреть 02:09 Los Corro Pianisters Etude 10-4 Oliver Смотреть Смотреть 10:47 Virtual Concert Halls Dylan Schenker, piano. Age group: 11-14 Chopin - Scherzo No. 2 in B-flat minor, Op. 31

Инструменты и Голос Взаимодействие с другими людьми Взаимодействие с другими людьми Пианино Все струны и арфа Деревянные духовые Латунь Классический голос Классическая гитара Инструменты барокко Перкуссия Джаз Танец Возрастные группы До 10 лет 11–14 15–18 19-25 26+

Please Donate and Support Sound Espressivo! Empowering Tomorrow's Musicians "Sound Espressivo Virtual Music Competition – A Sorcerer's Apprentice’s Guide To Mastery" ~ Ilona Oltuski NY, November 2021 GetClassica l Sound Espressivo Competition is an unique opportunity for young musicians and aspiring music students to experience professional Virtual Stage, perform live for global audience, be considered for Prizes. For many musicians application fee can be hard to afford Please consider helping! Please help our fellow musicians by contributing to the "Application fee Scholarship Fund"! Give a deserving dedicated artist a chance at a brighter future, to a network with nurturing community, an opportunity to shine and grow! Sound Espressivo is created and managed by professional musicians. Our Scriptwriters, Graphic Designers, Broadcast Directors, Tech support crews, Hosts, people who take and answer questions - all are musicians. Application fees ensure that Sound Espressivo continues to provide wages to broadcast producers and designers who help each contestant prepare for performing on Virtual Stage. Producers, A/V technicians, broadcast designers set up contestants' microphones, cameras, Internet connection, lights, making sure that each contestant feels confident performing on the Virtual Stage, looks and sounds best. Donate Now Help us make a difference First Name Last Name Email Donate in the name of Enter the amount you wish to pay: $ Donate Thank you for your donation!

Изучите "гайки и болты" о том, как проходит соревнование! YouTube Vimeo Facebook Посмотрите наши 2-минутные видеоуроки с пояснениями! Категории, Репертуар, Регистрация, Прослушивания, Техника, Расписание, туры, возрастные группы. Что такое прямая трансляция? Чем это отличается от Zoom Meeting? И больше.

S ound Espressivo Rules, Regulations, Formats Some competitions may have varied requirements for repertory, age, dates, and other, and may award unique Prizes not available in other Competitions. For additional details please read carefully the webpage for that Competition. For additional details about Masters and Masterworks Competition, please see Section 15 below. Download a PDF of Rules here 1. Eligibility Competition is open to classical and jazz musicians of • all nationalities and all ages • all instruments and voice • ensembles and groups of any size and composition For the Preliminary Round applicants must either submit a recent video of their own performance or choose a date on the Application form to audition LIVE through an Internet Broadcast system. Semi Finalists and Finalists MUST be prepared to compete LIVE through Internet Broadcast TV method. Participants for The Sound Espressivo competition must have access to broadband internet with a computer that contains a microphone and video camera. Technical assistance, necessary preparations, consultations, individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, and Broadcast management are provided by the Sound Espressivo partner, a Virginia based broadcasting and production company Virtual Concert Hals. 2. Competition Rounds Sound Espressivo is held in two rounds: • Preliminary Round • Finals 3. Dates, Deadlines, Application Process Refer to specific Dates and Deadlines stated on the Competition websites, for each Concert Season Contestants apply online through SEC website Portal by filling out the Application Form and completing the payment through SEC payment system online. Payment methods: major credit cards. Additional payment methods can be requested by an applicant, but not guaranteed. All contestants who advance to Finals Round will have to fill out a Registration Form and pay Live Auditions fee by a deadline stated in the Form, in order to confirm their participation in the Final Round. 4. Financial Aid Full and Partial Scholarships covering Application and/or Registration Fees may be awarded to qualified applicants based on need. Inquiries and requests for Financial Aid are considered based on the Applicant’s unique circumstances and the Competition’s ability to provide funds. Financial Aid may be awarded to qualified applicants towards purchasing and/or renting necessary equipment required for quality broadcasting of the Contestant’s performances in Semi Final and Final Rounds ONLY. No Aid will be awarded towards costs for Preliminary Round video submissions. 5. Age Groups, Categories, Instruments SEC accepts all instruments, ages, styles, and voice. In the Preliminary Round of the Competition contestants compete within their respective age groups. Instruments accepted: • Piano • All String Instruments • All Wind Instruments • Guitar • Harp • All Percussion Instruments • All Baroque Instruments • All Ensembles • Voice Eligible music styles and periods: • Baroque (Period instruments) • Classical • Contemporary including performances of original compositions by contestants and all types of “covers”: transcriptions, paraphrases, cadenzas, and other. • Jazz, including improvisations, jingles, mixes, standards, and other. • Music from around the world • Opera and Lieder • Broadway and Light In the Final Round contestants compete within their respective age groups in the following Categories: • 10 and under • 11-14 • 15-18 • Adult (19 and older) 6. Repertory and Time Limits • Contestants are free to choose any repertory, for ALL Rounds; pick what represents you best as a musician. • If you wish to be considered for special Awards check the descriptions on the website and plan your repertory accordingly. Time limits • For all Preliminary Round Auditions Videos time limit is 10 min. • You will not be disqualified for shorter performances • If you choose one composition which is longer than 10 min., you will not be disqualified for overtime • Final Rounds - time limits and repertory requirements vary, please check specific requirements on website. 7. Competition Procedures and Formats SEC is held globally online. Video submissions are allowed only for the Preliminary Round. Final Round is held in the format of a LIVE Internet TV public Broadcast. Technical assistance, necessary technical preparations, consultations, guidance materials (printed, digital, video); individual remote tech check sessions with Broadcast Producers and Engineers, production of the Broadcast, Broadcast management are provided by the Sound Espressivo business partner, Virtual Concert Halls, a Virginia, USA based broadcasting and production company. Videos and Broadcasts of the Competition Rounds are property of Sound Espressivo and Virtual Concert Halls which retain full control of the copyrights. 8. Adjudication process Each Preliminary Audition video is adjudicated by one member of the SEC Judges’ Panel. SEC Judges may provide written comments for video submissions (available upon request) Final Rounds are adjudicated by the Judges Panel consisting of several members. Judges will provide on-air artistic feedback to each contestant immediately after the performance. All decisions by SEC Judges are final and may not be disputed. All decisions by companies-sponsors of Prizes and Awards are made by the respective companies’ representatives and are final. 9. Prizes and Awards • Each Contestants will receive Judges' comments (written for video submissions, live onscreen for live performances) • Certificate of Participation. Laureates. Up to 6 (Six) Laureates will be chosen by the Judges Panel in consultation with SEC Board. Each Laureate Award Package is valued at total of $8,500. Total Award Pool for Laureate Awards is valued at $51,000. Laureates are eligible to receive the following Awards pending Judges Panel decisions: • Laureate Recital Award. Valued at $5,000 each. Full management service from VCHS necessary to provide the Laureate with an opportunity to present a full solo recital on the VCHS Virtual Stage. Each Laureate Recital will be publicly broadcast on all VCHS platforms. Each Laureate Recital will be promoted through VCHS social networks, mailing lists, media. Each Laureate Recital and its promotion campaigns will be serviced by VCHS producers, graphic designers, copywriters, social media specialists, audio/video streaming engineers. Dates of Laureate Recitals TBD • Laureate Interview Award. Valued at $2,000 each. Interview Award provided by VCHS. The Award is aimed at helping Laureates launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length. • Laureate Coaching Award. Valued at $1,000 each. Full course on professional streaming/broadcasting technology and methods provided by VCHS. Valued at $1,000 each. • Laureate Profile Award. Valued at $500 each. Professionally designed Artistic Profile on SEC and VCHS websites Laureates are eligible to receive additional Awards sponsored by Companies (check the Prizes Page on SEC website) Winners. Up to 12 (Twelve) Winners will be selected by the Judges Panels to receive Winners Package Award. Judges Panels have a complete discression when selecting Winners. Each Winner Award Package is valued at $3,800. Total Award Pool for Winners Awards is valued at $45,600. Judges Panels may choose up to: One First Place Winner, One Second Place Winner, One Third Place Winner in each Age Category Multiple Honorable Mentions may be awarded. • Winners Concert Award. Valued at $2,000 each. Up to 12 Winners will be selected by the Judges Panel to receive this award. Each Winner is eligible to receive full management service from VCHS necessary to provide the Winner with an opportunity to perform in a group Winners Concert on the VCHS Virtual Stage. Time limit per performer is 20 minutes. • Winner Group Interview Award. Valued at $1,000 each. Group Interview Award is provided by VCHS. The Award is aimed at helping Winners launch their careers, promote their artistry, jump-start their presence as musicians of statute. Each Interview will be professionally scripted and services by VCHS production teams and conducted by VCHS Host in a format of a live broadcast. Each Interview is up to 60 minutes in length and will present no more than 4 Winners. • Winner Group Coaching Award. Valued at $500. Full course on professional streaming/broadcasting technology and methods provided by VCHS. In groups of no more than 6 Winners. • Winner Profile Award. Valued at $300 each. Professionally designed Artistic Profile in a group space on SEC website. Honorable Mentions. Up to 10 (Ten Awards) Valued at $1,000 each. Total Award Pool for these Honorable Mention Awards is up to 10, or up to $10,000. All Finalists who are awarded an Honorable Mention will receive an Honorable Mention Award Package consisting of: Designer Certificate Profile in an Honorable Mention group page on SEC website An invitation to perform in one multicast group concert on VCHS Virtual Stage (time onstage per performer is limited to 5 minutes) Additional Awards and Prizes All applicants are eligible to be selected to compete in Sound Espressivo Live Finals All Finalists, including Laureates, Winners, and Honorable Mentions are eligible and considered to receive scholarship Prizes to participate in masterclasses with distinguished artists around the world. All Finalists are eligible and considered to receive scholarship Prizes for participation in prestigious summer programs and festivals around the World. All Finalists are eligible and considered to receive scholarship Prizes for VCHS Broadcasting Seminar All Semi Finalists and Finalists receive a Designer Certificate reflecting their respective advancements. All Applicants receive Recognition Award sponsored by the iClassical Academy, regardless of their advancement. All Applicants are eligible to receive free passes to observe masterclasses with distinguished artists around the world. Prizes sponsored by international music companies. All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies- sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. Cash Awards. All Finalists, Winners, and Laureates are eligible and will be considered as candidates to receive cash Awards. Specific amounts of each category of cash Awards will be determined and announced by the SEC Board as soon as practical, for each Season. Your family and friends can watch your live performance and cheer in real time. Your performance will be recorded, and your friends will be able to see it after that date. If you choose to submit a video, it will be premiered on our channels and available for replays. 10. Prizes sponsored by Partner Companies Sponsor Companies’ Awards are posted publicly on the SEC website, for each Season. The list of Partner Companies and the Prizes is updated on a regular basis, please check periodically the Prizes and Awards page on the website for the most up-to-date information. Partner-sponsored Prizes include possibilities to receive: • Performance engagements, Management services, • Scholarships for prestigious music festivals and summer programs Scholarships for masterclasses and courses • Coaching programs for musicians in career planning, social media for musicians, professional topics of musicians’ health and wellbeing • Scholarships for access to professional and educational resources Professional audio and video recording services • Professional web design services specific to musicians and artists Graphic design services for performing artists. • All Finalists will be considered by SEC sponsoring companies as candidates for the Prizes (check the list of Prizes on SEC website periodic updates as the Competition regularly accepts more eligible Prizes from companies around the World). Sponsored Prizes are awarded by the companies-sponsors' representatives independently from the Judges Panels. Not all Prizes may be awarded. Companies’ decisions are final. 11. Teachers’ and Educational Institutions’ recognition Sound Espressivo Competition Board understands the importance of support which students receive from their community, their schools, and especially from their teachers, for them to grow as musicians. As our token of appreciation for the hard and creative work which these people and organizations invest in the students' growth and future, we provide Sound Espressivo Contestants' School and Teacher with a featured space on the Sound Espressivo website. Each Teacher and School will receive a Profile created on the SEC website, including visual branding and individual Teacher’s pictures, we will also provide links for visitors to learn more about these distinguished educators and institutions. 12. Public Broadcasts. Tech requirements and release/consent forms All public broadcasts of the Competition are provided and managed by Virtual Concert Halls, an independent broadcasting and production company registered and headquartered in Vienna, Virginia, USA. VCHS will provide each Contestant with who performs on the public broadcasts of SEC events with instructional materials, individual preparation time and tech checks with streaming producers and staff, and all assistance available, to ensure an even field of the quality technical presentation for all SEC Contestants. Please refer to the “Technical Requirements” section on the website for more detailed information All Contestants, Guests, Teachers, Representatives, others who appear on the VCHS Broadcasts of the SEC events must sign release/consent forms, as required by the Virginia local, the US Federal, and the international laws and regulations governing public Internet TV broadcasts. Please note: Each Contestant’s checking of a BOX on the Application Form constitutes their consent and is in place of a separate signature of a separate form. To review the form, click here Virtual Concert Halls enjoys the “Allow Listed Broadcaster status from the Warner Music Group which provides VCHS broadcasts with protection against getting “muted,” taken down, or otherwise disfigured by WMG Copyrights Department through copyrights claims. VCHS earned the status through its strict adherence to copyrights and international regulations. All those who appear on the SEC public broadcasts provided by VCHS will enjoy the privileged status which comes with the responsibilities for Contestants and others to only perform music which they have the right to perform. 13. Privacy Policy and Consent/Release Form By submitting an Application to any competitions posted on Sound Espressivo website you consent to Privacy Policy and copyrights Release for public broadcasts and other forms of presentations associated with participation on SEC events. SEC Privacy Policy can be reviewed here Consent /Release form can be viewed here 14. Competition Board Sound Espressivo Board of Directors and Advisers is the governing body of the Competition. SEC Board Officers and Members: Anna Ouspenskaya, Secretary Antara Hebbar, Member, Youth Advisor Micah Yui, Member, Adviser Avguste Antonov, Member, Adviser Mellasenah Morris-Edwards, Member, Adviser Michal Szostak, Member, Adviser Section 15 Masters and Masterworks Competition 2023-24 Music for Youth! Call for Scores by living Composers. Performers who wish to present new music. Compositions for Piano, Violin, Cello Winners - Scores and Perfomers - will be presented at the Weill Recital Hall at Carnegie Hall Gala Concert on April 1, 2024 Performance at the Carnegie Hall is a Fully Sponsored opportunity, no performance fee required Application Deadline - October 15, 2023 Masters and Masterworks mission is to connect young musicians and living composers on a journey of discovery of Music for Youth! Music for Piano, Violin, or Cello, written for Young Performers. Violin and Cello pieces can be with or without accompaniment. No compositions for chamber ensembles. Compositions for Piano 4Hands are accepted. Awards Up to Three Scores will be selected for a performance at the Weill Recital Hall at Carnegie Hall on April 1, 2024, at the Laureates Gala (one composition for Piano, plus one for Violin, plus one for Cello). Up to Three Performers will be selected to perform these compositions at Carnegie Hall. All performances are fully sponsored by Sound Espressivo, Progressive Musicians, and Virtual Concert Halls. There is NO PERFORMANCE FEE required for Winners to perform at the Gala concert at Carnegie Hall (travel and accommodations in NY City are the responsibility of the Winner). In addition to the performance, all Winners (Composers and Performers) will receive: A Carnegie Hall Archival DIGITAL VIDEO of their performance (see Regulations for acceptable uses as per by Carnegie Hall rules) Medal Certificate Full color brochure (digital and printed) Complimentary ticket An Interview by Steve Robinson, a world-renowned producer of Photos Letters of recommendation and other support Professional Portfolio packets available upon request Judges’ decisions are final and cannot be disputed. Not all Prizes may be awarded. Application and Audition Process Preliminary Round Composers sumbit scores. One score per Application. Duration limit - 5 min Performers submit a video of any composition of their choice. Time limit - 10 min Results Composers: Up to 6 scores will be selected for the Final Round (two scores per each instrument) Scores will be published on the websites and made downloadable for Performers. Composers whose pieces were selected will join the Judges Panel as Artistic Advisors (non-voting members). Performers: Up to 12 Finalists will be selected for the Live Round (4 musicians per each instrument). The jury may select Alternates. Finalists will choose a piece which they wish to prepare for the Final Round, from the Finalist scores. Final Round Live performance by 12 Finalists in front of the Judges Panel, on a world-wide Internet TV Broadcast. The Judges Panel includes Composers of the pieces which were selected for the Final Round. Composers and Performers will have an opportunity to meet and get to know each other. Judges from aroud the world provide on-air commentary immediately after each performance. Finalists meet the Judges and can ask questions. Musicians' supporters can write comments which will be shown onscreen. Family and friends can watch and be part of your LIVE performance from anywhere in the world. Performer Finalists will receive Technical Preparation session with VCHS Broadcast Directors and Engineers, in preparation for the broadcast, at no additional cost. More about Broadcast technology for musicians here Age Limits Composers: no age limit Performers: 18 and under Application Fee Composers: $75 Performers: $100 Finals Live fee: $0 Winners Performance at Carnegie Hall fee: $0 Important DATES October 15, 2023 - Composers submit scores and Application Deadline November 05, 2023 - Scores selected for Finals are announced. November 15, 2023 - Performer Application Deadline (submit a video of any composition) December 5, 2023 - 12 Finalists are announced. February 1, 2024 - Registration deadline for the Performers Tech Preparation sessions for Performers February 19-23, 2024 - Tech Preparation sessions for Finalists (no additional fee required) February 24-26, 2024 - Final Round of the Competition APRIL 1, 2024 - Laureates Gala Concert at Weill recital Hall at Carnegie Hall

Познакомьтесь с нашими ведущими Анна Успенская, Маргарет Пиндер Russian born American concert pianist, chamber musician, educator, musicians' advocate, lecturer, adjudicator, writer, music programs host Margaret Pinder is a Cambridge-educated international corporate lawyer She taught at Harvard University before moving back to the UK where she now works for Polyphony Arts music management agency. She is Chair of the Hull Philharmonic Society and plays principal double bass. As Mayor of Beverley she used her office to provide wider access to music for local children. Margaret can be found performing on the UK stand up circuit.

FAQ What are the repertoire requirements? There's no specific requirement! We are a classical music competition so please choose repertoire accordingly, but we do not request specific pieces or time periods. Choose whatever represents your artistic merit best Do I have to play the same pieces in all rounds? There are no specific requirements for that. You can play the same pieces; or you can play completely different program; or you can play a combination of both. You decide everything about your repertory yourself. What makes this competition unlike any other? It's fully virtual with many innovative elements you can view above in the slides and boxes. Our Broadcasts are made using TV technology (NOT Zoom!) How do I know I'm good enough to compete? All levels are welcome to compete! With many categories to excel in and multiple age groups to win in, this competition provides one of the biggest lineups of winners and prizes out there. Check the 2020 Gallery. If you aren't sure - apply for non-competitive. You are still eligible to observe masterclasses for FREE Do I need a recording to enter? For Prelims you can choose to perform live or to submit a video (or a link to YouTube) ¿Cuáles son los requisitos del repertorio? ¡No hay ningún requisito específico! Somos un concurso de música clásica, así que elija el repertorio en consecuencia, pero no solicitamos piezas o períodos de tiempo específicos. Elija lo que represente mejor su mérito artístico How do I know my equipment is good enough to compete? Visit the Sign Up page and scroll down to Technical Requirements for a list of things you will need to have a stress-free time in the tech check. If you already meet the minimum, apply with confidence. If not, we recommend finding the equipment online or borrowing from friends. All of these are widely available My teacher is one of the judges, can I still apply to compete? Absolutely! Your performance will be adjudicated by the panel which will EXCLUDE your current and previous teachers Do I have to win first place, to receive any prizes? Not at all! Prizes are offered by distinguished companies with vast experience in promoting performing arts which are experts in classical music. Each company will award their prize(s) to contestant(s) of their own choice. Their decisions may or may not match those of the judges'. Some companies may choose to not award their prizes Will my teacher get recognition? Of course! Your teachers shared their knowledge and inspiration with you! the Competition will recognize teachers and schools of every contestant on the Teachers page. If you win, your teacher will be invited to join the live broadcast and receive special recognition during virtual Awards Ceremony I still have more questions. What should I do? Scroll down to the Get In Touch section and send us your question by email directly. We will do our best to answer your questions there!

УЗНАТЬ БОЛЬШЕ Equipment Prep Space Технические требования Минимальные требования для прямой трансляции без ущерба для качества: Аппаратное обеспечение: Компьютер (ноутбук или компьютер, но не телефон) Веб-камера (встроенная или внешняя) Микрофон (встроенный или USB) Наушники Кабель Ethernet (желательно, но необязательно)

Sound Espressivo 2020 Sound Espressivo 2020 Смотреть Поделиться Весь канал Это видео Facebook Twitter Pinterest Tumblr Копировать Ссылка скопирована Search videos Найти видео Сейчас играет 27:15 Смотреть Message to Contestants Сейчас играет 51:25 Смотреть Artist Portrait and Interview with Sound Espressivo Judge Donna Weng Friedman Сейчас играет 53:21 Смотреть Sadie Goodman, flute - Sound Espressivo Laureates' Recital Сейчас играет 01:04:17 Смотреть Mira Kardan, cello - Sound Espressivo Laureates' Recital Сейчас играет 48:58 Смотреть Mio Imai, violin - Sound Espressivo Laureates' Recital Сейчас играет 41:55 Смотреть Ryan Huang, piano - Sound Espressivo Laureates' Recital Сейчас играет 43:59 Смотреть Simon Yao, piano - Sound Espressivo Laureates' Recital Сейчас играет 54:41 Смотреть SEC presents Piano Masterclass with Avguste Antonov on Haydn - Sonata in A-flat Major, Hob XVI 46 Сейчас играет 01:16:21 Смотреть SEC: meet Kara Hanson-Hajjafari, Sarah Robertson, Janette Zahia Corcelius, and Jeffrey Lavner. Сейчас играет 01:14:19 Смотреть Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Сейчас играет 02:29:55 Смотреть SEC Gala - presenting the Laureates, management companies name the recipients and award 49 Prizes Сейчас играет 02:29:56 Смотреть Sound Espressivo Competition Сейчас играет 56:11 Смотреть Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Сейчас играет 01:14:23 Смотреть Sound Espressivo Competition presents the 1st Prize Winners of 2020 edition Сейчас играет 06:31:19 Смотреть Sound Espressivo Finals, Day 2 Сейчас играет 09:04:52 Смотреть Sound Espressivo Finals, Day 1